In the reading this week Klein (2004: 361) suggests, “Hollywood is becoming Asianized in diverse ways, while Asian film industries are in turn becoming Hollywoodized.” In the decade since the publication of this article have Klein’s observations been sustained?
Asia and America are two very different cultures that hold their own unique qualities and characteristics. However, I believe that these two genres of film should not be compared in a competitive nature.
It is clear that Hollywood has adopted Asian concepts, and continued to do so since Klein’s article was published. Nonetheless, my personal opinion on film is that it is an art, as well as entertainment. I say art because, through it you learn new concepts, ideals, perspectives and, in this case, cultures.
If considered an art by others, film has the potential to be very influential in changing a person’s perspective, and thus I believe that the Hollywoodization of Asia and visa versa is a great method to teach others about different cultures and embrace globalisation.
Klein
believes “While the ability to produce spectacle
is precisely what Hollywood desired from Chan, it wanted his unique
contributions to enhance – rather than challenge – its established mode of
storytelling” (Klein, C 2004), illustrating the positives of adopting and
displaying others cultures through film.
Through addressing other cultures in
film, and in particular blockbuster films, large audiences can be reached and
new opinions can be formed. Film provides a platform in which viewers can learn
about different cultures, ideas and outlooks. This denationalisation of film, I
believe, holds more positives for society than negatives.
However, to completely contradict
myself, I bring it my next point- the negatives. I believe that for every Asianized
film in Hollywood there is a film that, for lack of a better term, wreaks
Americanisation.
The first film that jumps to mind when
thinking of an overtly American film is The
Avengers. Putting the whole ‘save the world and putting my nose where it doesn’t
belong’ aspect aside, Captain America, obviously, symbolises America, and
illustrates what American’s believe they are- diplomats- in an overcompensating
way.
The character of Captain America, you
may have noticed, is the only character that doesn’t have a weapon, but has a
shield. I raise this point, because when thinking of huge Hollywood blockbusters,
The Avengers holds all the characteristics of this in the sheer amount of
people it can target. Through displaying Captain America as the non-threatening,
least violent character they are essentially self-promoting.
I guess my point is that with the Asian
concepts that Hollywood have adopted, they do display a knowledge of other
cultures and acceptance for these, but they also find a way to reiterate their
culture through film too. I believe that since the publishing of Klein’s article
Hollywood has still possessed Asian qualities in film, however they have also
not shied away from explicitly promoting their own ideals and culture.
But, who am I to say that is a bad
thing? Its not, it’s allowed. I guess in a sense, it’s a way of being patriotic
in this globalised world.
References
Klein, Christina 2004, ‘Martial arts
and globalisation of US and Asian film industries’, Comparative America
Studies, vol. 2, no. 3, pp. 360-384.
Image source: http://abduzeedo.com/avengers-kickass-wallpapers



